Voyage to the End of the Universe (Ikarie XB-1) – Jindřich Polák, 1963

Influential sci-fi Ikarie XB-1

Despite the turmoil currently on planet earth, things are looking more optimistic up in space. Only last week scientists announced that they have picked up potential signs of life on Venus and, depending on the sources, a manned mission to Mars could launch within the next 10-20 years. Ambitious initiatives like Breakthrough Starshot are looking even further afield, with a vision of sending a tiny unmanned probe to investigate exoplanets orbiting our next-door neighbour in the cosmos, Alpha Centauri.

Long-distance space travel raises many physical and mental challenges for potential crew members. How will we keep our bodies from wasting away without gravity for our muscles to fight against? How will our minds cope with the isolation and the knowledge that, for future colonists of distant planets, it may be a one-way ticket? Will there be a decent curry house, and do they take visa?

Continue reading “Voyage to the End of the Universe (Ikarie XB-1) – Jindřich Polák, 1963”

The Teacher (Učitelka) – Jan Hřebejk, 2016

How does an oppressive regime empower individuals who are willing to toe the line? It’s a question that director Jan Hřebejk and his regular screenwriter Petr Jarchovský (Cosy Dens, Divided We Fall) tackle with the efficiency of a 90s psycho thriller in The Teacher. The answers are chilling and, while the final shot may be a little glib, the film offers plenty of food for thought.

The story opens in 1983 in a classroom in Bratislava. Right away we can see that all is not well – the new teacher Ms. Drazdechová (Zuzana Mauréry) asks her students to introduce themselves. Fairly standard procedure, but she is more interested in what their parents do for a living…

Continue reading “The Teacher (Učitelka) – Jan Hřebejk, 2016”

Gangster Ka (2015) – Jan Pachl

The first thing you’ll become aware of while watching Gangster Ka is that people talk about money. A lot. And by a lot I mean all the time – in the first half an hour, I was so bombarded by characters I’d barely met talking about large sums of cash that I considered breaking out the abacus to help keep up.

So what? You might think. Gangsters like money, don’t they?

Of course they do, but it got me thinking about how true classics of the gangster genre aren’t really about money at all. Take Goodfellas, for example. There’s plenty of cash floating around throughout the movie, and at one point some characters pull off a lucrative airport heist. Yet while our protagonist Henry Hill sure enjoys the money, it’s the life of a gangster that he’s addicted to. And, through his eyes, we are too.

The main problem with Gangster Ka is that it thinks the most interesting thing about its protagonist, Radim Kraviec (Hynek Čermák), is how much loot he’s making through his various scams. Ironically, this preoccupation with cash really cheapens an otherwise routine crime thriller.

Kraviec, based loosely on the real-life crime boss Radovan Krejčíř, is a mobster from Ostrava who heads a gang of Albanian criminals. Deciding the city is too small for him, he sets his sights on Prague and wastes no time hustling his way into some big scores, such as taking over Čepro, a company that owns the whole country’s fuel supplies. Along the way, he double-crosses the capital’s established kingpins, Milota (Miroslav Etzler) and Sivák (Alexej Pyško), and gains a glamourous wife, Sandra (Vlastina Svátková). His next goal is muscling into politics, with a view to getting the future Prime Minister in his pocket.

Things quickly go south when an associate informs on his plan to make his 3 billion Čepro tax bill disappear, and Kraviec finds himself doing porridge while his lawyer and his loyal lieutenant Dardan (Predrag Bjelac) busy themselves bribing judges to ensure his quick release. Meanwhile, Milota and Sivák realize it’s the perfect time to seek revenge…

Continue reading “Gangster Ka (2015) – Jan Pachl”

Intimate Lighting (Intimní osvetlení)- Ivan Passer, 1965

As many of you already know, 2020 has been the year of a number of misfortunes that have affected all of us. One of which was the passing of Ivan Passer, a prominent figure that helped establish the Czech New Wave movement. He worked as an assistant director for some of Miloš Forman’s earlier films like Black Peter and Loves of a Blonde, a film he also co-wrote along with The Firemen’s Ball. Before he and Forman moved to the United States, Passer managed to direct his first full-length feature in his homeland of Czechoslovakia, titled Intimate Lighting, which is widely considered to be his masterpiece…

Continue reading “Intimate Lighting (Intimní osvetlení)- Ivan Passer, 1965”

All My Good Countrymen (Všichni dobří rodáci) – Vojtěch Jasný, 1968

All My Good Countrymen cinematography

When people find out that I write about Czech movies, one of the questions they sometimes ask is: why are so many Czech films about the Communist era?

The example I always use is this: I’m from England, and such a large part of our national identity is defined by World War II, which lasted six years. Three iconic events from the conflict – Dunkirk, the Blitz, and the Battle of Britain – are still touchstones in our collective conscience and influence how we think of ourselves as a people. Even seventy-odd years later, nostalgia for the war played a part in the campaign to leave the European Union.

And, of course, we’re still making successful movies about it.

Czechoslovakia, by comparison, spent over forty years in the clutches of a Communist regime, only to regain independence relatively recently. It’s little wonder that the period still exerts such a powerful hold on the Czech national psyche and is ingrained so deeply in the country’s culture. Not only that, but forty years is a long time, so even films that aren’t directly about it still have life under communism very present as background scenery. We can probably expect Czech cinema to go on exploring those decades of subjugation for many years to come…

Continue reading “All My Good Countrymen (Všichni dobří rodáci) – Vojtěch Jasný, 1968”

Return of the Prodigal Son (Návrat ztraceného syna) — Evald Schorm, 1967

Released in 1967 and directed by Evald Schorm, Return of the Prodigal Son centres around the mental health of an engineer named Jan (Jan Kacer) as he stays in a psychiatric ward following a suicide attempt. The film begins with a brief disclaimer: “The film you are about to see — in its plot, characters and setting — bears no resemblance to reality. It is only a play in which everything is distorted and exaggerated. Life isn’t like this.” Of course, this is meant to be a very tongue-in-cheek statement seeing as how the film is very much representing the existential dilemmas found in real life…

Continue reading “Return of the Prodigal Son (Návrat ztraceného syna) — Evald Schorm, 1967”

Zelary (Želary) – Ondřej Trojan, 2003

As sturdy and dependable as its rugged leading man, György Cserhalmi, Želary is a classy wartime romantic drama that scored an Academy Award nomination for Best Foreign Language Film in 2004. While the story suffers from over-familiarity, it earns its emotional payoff thanks to strong performances by an excellent cast and thoughtful direction by Ondřej Trojan.

The film opens in 1940s Nazi-occupied Prague as dapper surgeon Richard (Trojan) and his nurse/lover Eliška (Anna Geislerová) respond to an emergency call to save a seriously injured man. The patient requires an urgent transfusion and Eliška unquestioningly gives the much-needed blood…

Continue reading “Zelary (Želary) – Ondřej Trojan, 2003”

Grapes (Bobule) – Tomáš Bařina, 2008

It’s been a funny sort of year so far, hasn’t it? Usually one of the things I love most about living in the Czech Republic is the slow build-up to summer, with the palpable sense of anticipation that grows during the spring months before the good weather really sets in. It’s been a different story in 2020 thanks to Covid-19, going into lockdown in early March and popping up again months later with summer already in full swing. Now we’re only a few weeks away from the start of burčák season, which means autumn is already on its way…

This year also saw the release of 3Bobule, the third in the popular series of romantic comedies set among the vineyards of South Moravia. So with these two things combined, I thought it was the perfect time to check out the original film in the trilogy, Bobule

Continue reading “Grapes (Bobule) – Tomáš Bařina, 2008”

Black Peter (Černý Petr) – Miloš Forman, 1964

Black Peter (1964) - Photo Gallery - IMDb

Recently, I’ve been reviewing films that dealt with more social and political issues, but this time around, I’m kind of glad to be reviewing a film that focuses on a much more easy-going subject: adolescence. Black Peter — the first feature-length film directed by one of the most celebrated filmmakers of Czech Cinema, Miloš Forman (Loves of a Blonde, The Firemen’s Ball) — focuses on the life of a young man named Petr (Ladislav Jakim) and his journey through adolescence.

The film begins with Petr on his first day working at a supermarket. He is tasked to keep an eye on the customers and to make sure that they aren’t stealing any of the merchandise, but he is so oblivious to the concept of subtlety that he easily exposes himself. He then proceeds to follow a man he believes may have stolen some merchandise by walking right behind him. Unfortunately, he never really confronts him. This is an interesting way to convey just how young and inexperienced Petr is and how much he has yet to learn…

Continue reading “Black Peter (Černý Petr) – Miloš Forman, 1964”

Wild Flowers (Kytice) – F.A. Brabec, 2000

Vodnik Dan Barta Kytice 2000

Like a struggling Hogwarts student about to flunk their final exam, F.A Brabec fails to conjure the requisite magic to transform Wild Flowers into something completely worth watching. Flashy visuals and a strong cast can’t disguise the fact that this is an extremely patchy anthology based on the ballads of Czech folklorist, Karel Jaromir Erben…

Continue reading “Wild Flowers (Kytice) – F.A. Brabec, 2000”