At the very least it will put a big dumb grin on your face, followed by a slight frown as you gaze into the middle distance trying to figure out whether it all adds up or not. Happy End sure beats the hell out of last year’s joyless Tenet, although when it comes to telling a story backwards, it doesn’t quite hit the heights of Memento or Eternal Sunshine of a Spotless Mind. Just seeing the bravura way in which Oldřich Lipský flourishes the reverse chronology trick is worth your time alone. Yet it is a stunt that offers a breezy blast of comic relief while exploring the classics of the Czech New Wave. Ultimately that is all Happy End is – a stunt, but a clever and often hilarious one.
As brilliantly as Lipský pulls it off, it does get a little tiring towards the end – or should I say the beginning? My brain kept trying to flip the backwards conversations around to track their normal course, and it made my head hurt after a while. The popular director of quirky classics like Lemonade Joe and Adele Hasn’t Had Her Dinner Yet had the sense to keep it short and sweet. Happy End clocks in at just 71 minutes and that is definitely a good thing.
Rounding out the main cast is Josef Abrhám as the shameless seducer, Mr Birdie, and formidable comic actress Helena Růžičková as our hero’s long-lost love. She has an innate knack for comic timing reminiscent of Madeline Kahn in those great Lipský-esque American comedies of around the same era – Blazing Saddles, Young Frankenstein and What’s Up Doc? Jaroslava Obermaierová is a good foil for Menšík as his radiant, fragile wife Julie, gliding through the slapstick elements with grace intact, looking like she’s enjoying herself as much as the audience…
Continue reading “Happy End (Šťastný konec) – Oldřich Lipský, 1966”
Honestly, I have nostalgia goggles the size of monster truck wheels for this one! Lemonade Joe, or the Horse Opera came out in 1964 but my entire generation can quote it to no end. It falls into the perfect timing of being a new film for our parent’s childhood and old enough to be cool for our own. So within the Czech culture, this film is a classic.
Even so, I was afraid to revisit it. Many films from my childhood didn’t age well and I was afraid the same would happen here. What didn’t help was a vague memory of blackface and some of the timeless quotes feeling kind of tired after the last fifteen years of repetition.
Buy Lemonade Joe from Amazon HERE
But I was pleasantly surprised. The film has an energy that most modern comedies long for. Lemonade Joe falls into the Crazy comedy genre, popular in the Czech Republic, which includes titles such as Adele Hasn’t Had Her Dinner Yet or The Mysterious Castle in the Carpathians. In American cinema, it would be a mixture of Mel Brooks’ Blazing Saddles and John Landis’ The Blues Brothers. It takes the nonsensical, absurdist plot and the song breaks from Blues Brothers and the setting with quick-fire jokes and slapstick from Blazing Saddles. It might be surprising to some that it’s older than both…
Continue reading “Lemonade Joe (Limonádový Joe) – Oldřich Lipský, 1964”
Dora Charleston: Mr Diamond, you have a bullet hole in your back!
Sam Diamond: You should see the other guy.
– Maggie Smith & Peter Falk hamming it up in Murder by Death
The 1970s was a big decade for pastiches of classic detective fiction. Robert Altman brought a slovenly, anachronistic Philip Marlowe into a bohemian, weed-scented Los Angeles in The Long Goodbye; there was a whole raft of reimaginings of the Sherlock Holmes myth, including The Seven-Per-Cent Solution and The Adventure of Sherlock Holmes’ Smarter Brother; Neil Simon brought together a roster of thinly-disguised classic sleuths – Sam Spade, Miss Marple, Charlie Chan, Hercule Poirot and Nick and Nora Charles – in his silly spoof Murder by Death.
Even the Czechs got in on the act, with Oldřich Lipský’s Adele Hasn’t Had Her Dinner Yet (Adéla ještě nevečeřela) resurrecting a gumshoe from an earlier era that I wasn’t familiar with: Nick Carter.
Buy Adele Hasn’t Had Her Dinner Yet from Amazon HERE
Carter is largely unremarkable save for the distinction of preceding Arthur Conan Doyle’s Sherlock Holmes by a year or two, and Lipský, forever playful with western genre fiction, gleefully pits the half-forgotten detective with an antagonist straight out of Little Shop of Horrors. Along the way we also get the director’s goofy sight gags, fabulous steampunk-ish gadgets by Jan Švankmajer, and broad performances from a variety of Czech actors playing the shenanigans with a straight face…
Continue reading “Adele Hasn’t Had Her Dinner Yet (Adéla ještě nevečeřela) – Oldřich Lipský, 1977”
I love old dark house movies, to the point where whenever a discussion comes up with family or friends about the prospect of building a house, I can’t help railroading the conversation into talk of secret passages, secret doors (bookcase or fireplace, I’m not picky), and of course large paintings where I can remove the portrait’s eyes and peek into the room below.
Due to this, Oldřich Lipský’s silly-funny, endlessly inventive spoof Tajemství hradu v Karpatech was a source of absolute delight for me. It’s basically like a Czech version of Murder by Death, a star-studded mystery set in – yes, an old dark house – peppered with jokes so hoary and dumb that they go all the way around the dial to becoming hilarious again.
Buy The Mysterious Castle in the Carpathians from Amazon HERE
What The Mysterious Castle has over Neil Simon’s groaner-fest and other pastiches of the genre is some genuinely inspired proto-steampunk design work by legendary surrealist filmmaker Jan Švankmajer, and a visual style all of its own…
Continue reading “The Mysterious Castle in the Carpathians (Tajemství hradu v Karpatech) – Oldřich Lipský, 1981”