It has taken two years to reach this point, but this article marks the 50th post on Czech Film Review. Since the first Czech film I saw was Jiří Menzel’s Closely Watched Trains, I thought it would be appropriate to mark the occasion by talking about another one of his films, Cutting it Short.
It’s yet another idyllic shaggy dog story based on a Bohumil Hrabal work, a rose-tinted yet ultimately kinky tale about the writer’s parents when they conceived the future literary legend. Set around the end of the First World War and shortly before the establishment of the first Czechoslovak Republic, it is a typically Menzelian joint lovingly satirizing small-town life, populated by a familiar bunch of cranks and oddballs…
Continue reading “Cutting it Short (Postřižiny) – Jiří Menzel, 1980”
In The Snowdrop Festival (Slavnosti sněženek) Jiří Menzel returns to the well to make another gentle comedy featuring his favourite things: the works of Bohumil Hrabal, Rudolf Hrušínský, the idyllic Czech countryside, and the shenanigans of quarrelsome but essentially good-hearted village folk.
As with many of Menzel’s films in a similar vein (Capricious Summer, My Sweet Little Village, Seclusion Near a Forest) the plot is slight – more a comic panorama than a conventional narrative, as Vincent Canby of the New York Times kindly put it. The pacing of The Snowdrop Festival is relaxed even by Menzel’s standards, with the film apparently starting before anyone in it has noticed…
Continue reading “The Snowdrop Festival (Slavnosti sněženek) – Jiří Menzel, 1984”
“I can be by myself because I’m never lonely, I’m simply alone, living in my heavily populated solitude, a harum-scarum of infinity and eternity, and Infinity and Eternity seem to take a liking to the likes of me.” – Bohumil Hrabal, Too Loud a Solitude
Too Loud a Solitude is my favourite book, and that passage in particular resonated so deeply during my teaching days in Prague. I’ve always been someone who enjoys time with my own thoughts, and I never felt lonely while I was there. I was in love with the place and, although I had friends, I often preferred it when it was just me alone with the city…
Continue reading “Page to Screen: Too Loud a Solitude (Příliš hlučná samota) – Genevieve Anderson, 2007”
Banned for over twenty years and only released after the Velvet Revolution, Jiří Menzel’s Larks on a String is a film out of time. It was one of the director’s more overtly critical works in the ’60s, openly sarcastic about the Communist regime in Czechoslovakia. As a result, it endured censure and became a valuable relic of the grim post-Prague Spring era, lacking the timelessness of Menzel’s more gently comedic films of the period…
Continue reading “Larks on a String (Skřivánci na niti) – Jiří Menzel, 1969/1990”
Jiří Menzel’s Closely Watched Trains (Ostře sledované vlaky) is probably one of the best known Czech films beyond the country’s borders, having won the Oscar for Best Foreign Language Film in 1968. Adapted from Bohumil Hrabal’s slender novel, it was also the first Czech movie I saw by a long way, years before the idea of even visiting the country crossed my mind, let alone immigrating here.
I was pretty underwhelmed on first viewing – it was when I was first getting heavily into film, after the treble-whammy of Pulp Fiction, Seven and Trainspotting first made me conscious that there was a director behind the camera making decisions resulting in the movie I saw up there on the big screen. I could handle the nonlinear structure of QT’s early efforts, but struggled a bit with the rhythm and pace of my first Czech movie – having been brought up on a diet of largely British and American films, usually with a distinct beginning, middle and end, Closely Watched Trains seemed a lot like all middle with a little bit of end.
Continue reading “Closely Watched Trains (Ostře sledované vlaky) – Jiří Menzel, 1966”