Indie Profiles: Nora Štrbová, director of S P A C E S (M E Z E R Y)

Nora Strbova

Of all the terrific entries on display recently at the 61st BRNO16 International Short Film Festival, Nora Štrbová’s S P A C E S was perhaps the most moving. In just seven minutes, the animated documentary explores memory from the perspective of her brother, who suffered a rare neurological disorder before his untimely death in his twenties. With a minimalist, hand-crafted style that evokes the glitching memory of its central character, S P A C E S is a poignant blend of artistic medium and heartfelt subject matter.

I spoke to Nora about S P A C E S and her experiences as a filmmaker with my friend Tomáš Hůsek, who helped translate the conversation…

LA & TH: This is clearly a labour of love about a very personal subject, as you directed, wrote, animated and created the art design for the film. What made you choose this style to tell the story?

NS: Well, at the beginning when I was thinking about what the movie is going to be, the idea about the subject matter came to me. The entire style of the film is derived from that original concept. It is a very personal story about my brother who lost his memory because of the brain tumour that eventually caused his death. I wanted to try… after I was no longer able to ask him about it… try to imagine how he might perceive the world without memory, what does it mean to live without memory, and also think about what memory actually is.

I started reading articles, books, stories – both fiction and non-fiction – poetry, everything. From this, I put together a sort of mosaic and the style of the film, which is mosaic-like, actually reflects that. It felt fitting to choose a kaleidoscopic form to show how the human mind and memory works. The more I analysed how memory behaves, the more I found out that it is mostly fragments, even in healthy individuals. It is just fragments saved into memory. Sometimes just emotions or sensations that we once felt during situations rather than the situations themselves – colours, smells, textures etc. So I wanted to create that feeling for the viewer… Continue reading “Indie Profiles: Nora Štrbová, director of S P A C E S (M E Z E R Y)”

Dimensions of Dialogue (Možnosti dialogu) – Jan Švankmajer, 1983

Dimensions of Dialogue Eternal Conversation

Reader, I screwed up. It was deadline day for my latest review and I was up against it, having just moved into an old house in the countryside. The place doesn’t have a working kitchen, bathroom or heating system. As I type this, I’m pressed against an oil radiator wearing four layers of clothing and a blanket wrapped around me. In desperation, I reached for a movie to review on Netflix. Only when I got to the end did I realise that it was a Slovak film.

Perhaps the cold has got to my senses. While I don’t speak Czech, I have lived in the country long enough to tell the difference between the Czech language and Slovak. But not on this occasion…

Luckily my good friend and former writing partner sent me a short film some time ago which I’ve been meaning to watch. It is Dimensions of Dialogue by legendary surrealist filmmaker Jan Švankmajer. It is only 14 minutes long so you can watch it in your lunchbreak and it will give you far more food for thought than the 90 minutes of romantic comedy dross I sat through earlier…

Continue reading “Dimensions of Dialogue (Možnosti dialogu) – Jan Švankmajer, 1983”