Food (Jídlo) – Jan Švankmajer, 1992

Svankmajer's Jidlo (Food)

Introducing Jan Švankmajer (Alice) to anyone always nets you a reputation for being a weirdo. From the word go, Food’s style is absurd and choppy, often very naturalistic, and more than a little risqué. But I think it’s well worth anyone’s time – so please indulge this weirdo as I talk about Švankmajer’s 1992 film Food and why it’s a lesser-known gem of Czech cinema.

Food contains three shorts films – breakfast, lunch, and dinner – that are thematically connected. They all contain some sort of food consumption (surprisingly) but there is often a twist that turns the simple daily rituals to downright bizarre affairs. In sixteen minutes, Food shows people who turn into machines, hungry diners devouring their clothes, and various kinds of gourmands digging into their own body-parts. So yeah, there’s a lot going on…

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Valerie and Her Week of Wonders (Valerie a týden divů) – Jaromil Jireš, 1970

Rapturously beautiful, disturbingly erotic, and strangely frightening, Valerie and Her Week of Wonders is an intoxicating blend from director Jaromil Jireš, a key figure in the Czechoslovak New Wave. It’s a surrealist horror where reality and identity are fluid, yet the film has its own dreamlike logic where it all makes a kind of sense while you’re watching it. Then, like so many dreams, the more you try to remember on waking, the more it slips from your grasp…

That was my first experience of the film. I’ve wanted to write about it for a year now because when I saw it on a crappy Youtube copy, I realized that I’d just watched something very special. I just couldn’t quite define what I’d watched. It probably didn’t help that I forgot a key detail – that our young protagonist, Valerie (Jaroslava Schallerová), is encountering her first period.

Valerie and Her Week of Wonders Blu Ray

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It occurs early on, and provides one of the iconic images of the film – a droplet of bright fresh blood on the head of a daisy – but the moment was lost to me almost immediately in the subsequent whirl of ravishing imagery, potent symbolism, ethereal beauty and earthy sensuality. Luboš Fišer’s score is also transportive, whisking you away to another time and place…

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Daisies (Sedmikrásky) – Věra Chytilová, 1966

Surrealist and Avant-Garde films aren’t always the most popular choice for the average moviegoer. Until Leos Carax’s demented Holy Motors generated some outside-bet Oscar buzz a few years ago, I’d rather watch a compilation tape of hairy builders receiving a back, sack and crack before dabbling with the avant-garde.

My perspective has changed slightly since then, largely on the basis of Denis Lavant’s incredible (literally) balls-out multiple performances in that movie, and two of my favourite films of the past few years are of the avant-garde variety – Dziga Vertov’s hypnotic portrait of a city in Man with a Movie Camera, and Věra Chytilová’s playful yet provocative Daisies.

Daisies Blu Ray

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A cornerstone of the Czech New Wave, Daisies tells of two young women, known as Marie I (Jitka Cerhová) and Marie II (Ivana Karbanová), who declare that they are broken and in that case, they might as well be bad…

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