There is an old Les Dawson joke that goes like this: I said to the chemist, “Can I have some sleeping pills for my wife?” He said, “Why?” I said, “She keeps waking up.”
That is pretty much the attitude of the main character in Tiger Theory, Radek Bajgar’s dramedy about a sixty-something who finds an unconventional way of leaving his controlling wife.
Jan Berger (Jiří Bartoška) is a veterinarian. We first meet him as performs the snip on a tomcat, much to the gratitude of its female owner. It’s a none-too-subtle metaphor for the film’s central thesis, in that most of the male characters feel emasculated by their wives. The only guy who doesn’t has a problem with his sperm and possibly gets cheated on by his free-spirited wife, implying he’s not man enough to get the job done.
The film sets out its stall early, with Berger’s wife Olga (Eliška Balzerová) delivering a lecture to a group of students about the life expectancy of men. They drink more, smoke more and eat unhealthily, all of which affects their longevity. And it is the woman’s lot to keep control of their man’s worst impulses, she asserts.
For the men in Tiger Theory, this equates to endless nagging… Continue reading “Tiger Theory (Teorie Tygra) – Radek Bajgar, 2016”
Here’s an obscure piece of UK film folklore…
One Saturday night in the early ’80s, a man goes home early from the pub to watch the football highlights on Match of the Day. He settles down in front of the TV with a fresh beer, but the broadcast hasn’t started yet. He turns over to see what’s on the other two channels and drops into a strange film about identical twins, time travel and Nazis.
He becomes so engrossed that he watches to the end, missing the footie. On Monday morning he goes to work and tells his mates about this peculiar film, but no-one knows what he’s talking about. He doesn’t know the title because he missed the start, and trying to elaborate on the plot just makes him sound crazy…
Continue reading “Tomorrow I’ll Wake Up and Scald Myself with Tea (Zítra vstanu a opařím se čajem) – Jindřich Polák, 1977”
There was a time when every pub and restaurant in Brno seemed to be competing for the title of the city’s best burger. Everyone I knew had an opinion on whose was top, and my own pick wasn’t too popular with pub-owner friends who prided themselves on their homemade patties.
A new craze put paid to all that nonsense, and we partially have the country’s burgeoning Vietnamese community to thank for that – suddenly everyone was head-over-heels for Bún bò Nam Bô and Bánh mì sandwiches.
Vietnamese immigrants began settling in Czechoslovakia during the Communist era, arriving as guest workers invited by the government. Nowadays Vietnamese people make up the Czech Republic’s third-largest ethnic minority, after Slovaks and Ukrainians.
The first Czech film I’ve seen so far that touches upon the Vietnamese-Czech experience is Jiří Mádl’s On the Roof, a comedy-drama that focuses on the growing friendship between a lonely old man and a desperate young immigrant…
Continue reading “On the Roof (Na střeše) – Jiří Mádl, 2019”
Vit Olmer’s bawdy comedy Tank Battalion (Tankový prapor) made history as the first privately produced Czech film after the Velvet Revolution. And what did they decide to make a movie about after four decades under an oppressive Communist regime? You’ve guessed it – a movie about life under an oppressive Communist regime…
Based on the semi-autobiographical novel by Josef Škvorecký, the film is set in 1953. We meet intelligent, demob-happy Staff Sergeant Danny Smiřický (Lukáš Vaculík) who has almost finished his two-year stint in compulsory military service. In between tank manoeuvres and covering his mate’s guard shift in the stockade, there’s little for him to do apart from smoking cigarettes, try to avoid flak from his perpetually enraged commanding officers, and dream about an unobtainable girl he once knew in Prague.
He’s almost made it to the end of his service, but now he risks trouble by getting into an affair with an officer’s lonely wife. Tensions are also growing between the conscripts and the officers, culminating in a dangerous drunken standoff…
Continue reading “Tank Battalion (Tankový prapor) – Vít Olmer, 1991”
In 1999, a resident of Kansas City, Missouri named Richard Jones was banged up for aggravated robbery. The crime took place across the state line in Kansas City, Kansas, where a woman was knocked to the ground in a Walmart car park by three muggers who made off with her phone. Jones claimed that he was home at the time, but eyewitnesses identified him as one of the culprits. He was sentenced to 19 years in prison.
17 years later, Jones was released when police traced the real perpetrator, Ricky Amos, Jones’s “doppelgänger” who lived on the Kansas side of the city…
The idea of the doppelgänger, or a person’s perfect double, has long caught the imagination and there are dozens, if not hundreds, of examples in literature, film and TV. More often than not, the appearance of a doppelgänger in a character’s life spells trouble.
The well-worn concept is the subject of Jiří Chlumský’s likeable crime comedy Doubles (Dvojníci). Ondřej Sokol has fun in a dual role as two men with a striking similarity to one another: Honza Rambousek, a down-on-his-luck Prague thief in debt to his crime boss, and Richard Prospal, a mild-mannered teacher who is in town for a conference…
Continue reading “Doubles, aka Doppelgängers (Dvojníci) – Jirí Chlumský, 2016”
As a writer dad, I enjoy observing the behaviour of other fathers at children’s cafes and play areas. There’s always the guy with his face stuck in his phone, oblivious to his offspring force-feeding a plastic pineapple to another kid. Then there’s the frazzled dad, gazing sadly into the middle distance as if trying to catch a glimpse of a parallel universe where he still doesn’t have children.
There’s the laddish dad, trying gamely to get involved with a beer in hand, giving it his best while also clearly wishing he was down the pub with his mates. Then there’s my favourite, the dad who starts eating a bag of Pom-Bar out of boredom or hunger, picks up speed, marvelling at how moreish they are until he’s stuffing whole fistfuls into his mouth, glancing around furtively to see if anyone has noticed him devouring his kid’s snack. I’ve often thought that the manufacturers of Pom-Bar should do an alternative grown-up packaging, like when there were adult covers for Harry Potter books, so dads could get stuck into a bag without feeling guilty or childish for enjoying them so much.
Buy I Enjoy the World with You from Amazon HERE
Of all the types of dad I observe in these situations, it’s very rare to see one committing to his role with as much gusto or joie de vivre as the three central characters in I Enjoy the World with You. It’s a relentlessly kind-hearted family film that was once voted the best Czech comedy of all time. And, while it didn’t exactly have me rolling around on the floor with laughter, it’s not hard to see why the movie is so enduringly popular…
Continue reading “I Enjoy the World with You (S tebou mě baví svět) – Marie Poledňáková, 1982”
Sequels often tend to go for bigger, faster, more. So what should we expect from 2Grapes (no, I don’t get the nonsense title either), the sequel to the mild romantic comedy hit Grapes?
I got to thinking about how the original film had at least three scenes that hinged on the explosive properties of burčák (young wine). So if we follow the bigger, faster, more model, what could be in store? Honza (Kryštof Hádek) returning to his criminal ways and using bottles of burčák to blow open a bank vault? Or perhaps converting his granddad’s battered old Citroen 2CV into a time machine, and using burčák to propel it to the 142kmh required to send it through time?
Continue reading “2Grapes (2Bobule) – Vlad Lanné, 2009”
When people find out that I write about Czech movies, one of the questions they sometimes ask is: why are so many Czech films about the Communist era?
The example I always use is this: I’m from England, and such a large part of our national identity is defined by World War II, which lasted six years. Three iconic events from the conflict – Dunkirk, the Blitz, and the Battle of Britain – are still touchstones in our collective conscience and influence how we think of ourselves as a people. Even seventy-odd years later, nostalgia for the war played a part in the campaign to leave the European Union.
And, of course, we’re still making successful movies about it.
Buy All My Good Countrymen from Amazon HERE
Czechoslovakia, by comparison, spent over forty years in the clutches of a Communist regime, only to regain independence relatively recently. It’s little wonder that the period still exerts such a powerful hold on the Czech national psyche and is ingrained so deeply in the country’s culture. Not only that, but forty years is a long time, so even films that aren’t directly about it still have life under communism very present as background scenery. We can probably expect Czech cinema to go on exploring those decades of subjugation for many years to come…
Continue reading “All My Good Countrymen (Všichni dobří rodáci) – Vojtěch Jasný, 1968”
Introducing Jan Švankmajer (Alice) to anyone always nets you a reputation for being a weirdo. From the word go, Food’s style is absurd and choppy, often very naturalistic, and more than a little risqué. But I think it’s well worth anyone’s time – so please indulge this weirdo as I talk about Švankmajer’s 1992 film Food and why it’s a lesser-known gem of Czech cinema.
Food contains three shorts films – breakfast, lunch, and dinner – that are thematically connected. They all contain some sort of food consumption (surprisingly) but there is often a twist that turns the simple daily rituals to downright bizarre affairs. In sixteen minutes, Food shows people who turn into machines, hungry diners devouring their clothes, and various kinds of gourmands digging into their own body-parts. So yeah, there’s a lot going on…
Continue reading “Food (Jídlo) – Jan Švankmajer, 1992”
It’s been a funny sort of year so far, hasn’t it? Usually one of the things I love most about living in the Czech Republic is the slow build-up to summer, with the palpable sense of anticipation that grows during the spring months before the good weather really sets in. It’s been a different story in 2020 thanks to Covid-19, going into lockdown in early March and popping up again months later with summer already in full swing. Now we’re only a few weeks away from the start of burčák season, which means autumn is already on its way…
This year also saw the release of 3Bobule, the third in the popular series of romantic comedies set among the vineyards of South Moravia. So with these two things combined, I thought it was the perfect time to check out the original film in the trilogy, Bobule…
Continue reading “Grapes (Bobule) – Tomáš Bařina, 2008”