The Teacher (Učitelka) – Jan Hřebejk, 2016

How does an oppressive regime empower individuals who are willing to toe the line? It’s a question that director Jan Hřebejk and his regular screenwriter Petr Jarchovský (Cosy Dens, Divided We Fall) tackle with the efficiency of a 90s psycho thriller in The Teacher. The answers are chilling and, while the final shot may be a little glib, the film offers plenty of food for thought.

The story opens in 1983 in a classroom in Bratislava. Right away we can see that all is not well – the new teacher Ms. Drazdechová (Zuzana Mauréry) asks her students to introduce themselves. Fairly standard procedure, but she is more interested in what their parents do for a living…

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Intimate Lighting (Intimní osvetlení)- Ivan Passer, 1965

As many of you already know, 2020 has been the year of a number of misfortunes that have affected all of us. One of which was the passing of Ivan Passer, a prominent figure that helped establish the Czech New Wave movement. He worked as an assistant director for some of Miloš Forman’s earlier films like Black Peter and Loves of a Blonde, a film he also co-wrote along with The Firemen’s Ball. Before he and Forman moved to the United States, Passer managed to direct his first full-length feature in his homeland of Czechoslovakia, titled Intimate Lighting, which is widely considered to be his masterpiece.

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The story centres around Bambas (Karel Blažek), a music teacher who invites his old friend Petr (Zdeněk Bezušek) to play as the soloist for an upcoming concert. Petr arrives at Bambas’ house accompanied by his young girlfriend, Stepa (Věra Křesadlová), where he meets Bamba’s wife, kids, and parents — who all live under the same roof. Much like Black Peter, the film focuses on individual moments in the lives of these characters as they go about their days. This might seem like there isn’t a lot going on, but that couldn’t be further from the truth. These moments actually give us insight into the lives of these characters and paint an earnest and realistic picture of domestic life…

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Return of the Prodigal Son (Návrat ztraceného syna) — Evald Schorm, 1967

Released in 1967 and directed by Evald Schorm, Return of the Prodigal Son centres around the mental health of an engineer named Jan (Jan Kacer) as he stays in a psychiatric ward following a suicide attempt. The film begins with a brief disclaimer: “The film you are about to see — in its plot, characters and setting — bears no resemblance to reality. It is only a play in which everything is distorted and exaggerated. Life isn’t like this.” Of course, this is meant to be a very tongue-in-cheek statement seeing as how the film is very much representing the existential dilemmas found in real life…

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Zelary (Želary) – Ondřej Trojan, 2003

As sturdy and dependable as its rugged leading man, György Cserhalmi, Želary is a classy wartime romantic drama that scored an Academy Award nomination for Best Foreign Language Film in 2004. While the story suffers from over-familiarity, it earns its emotional payoff thanks to strong performances by an excellent cast and thoughtful direction by Ondřej Trojan.

The film opens in 1940s Nazi-occupied Prague as dapper surgeon Richard (Trojan) and his nurse/lover Eliška (Anna Geislerová) respond to an emergency call to save a seriously injured man. The patient requires an urgent transfusion and Eliška unquestioningly gives the much-needed blood.

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Richard and Eliška are also part of the resistance, and when her attempt to run a message to a contact falls foul of the Gestapo, the whole network is suddenly in mortal danger. Richard hastily emigrates, leaving Eliška with forged papers, and a friend tells her that if she wants to escape detection she must assume a new identity and leave the city in the company of Joza (Cserhalmi), the man whose life she helped save…

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Grapes (Bobule) – Tomáš Bařina, 2008

It’s been a funny sort of year so far, hasn’t it? Usually one of the things I love most about living in the Czech Republic is the slow build-up to summer, with the palpable sense of anticipation that grows during the spring months before the good weather really sets in. It’s been a different story in 2020 thanks to Covid-19, going into lockdown in early March and popping up again months later with summer already in full swing. Now we’re only a few weeks away from the start of burčák season, which means autumn is already on its way…

This year also saw the release of 3Bobule, the third in the popular series of romantic comedies set among the vineyards of South Moravia. So with these two things combined, I thought it was the perfect time to check out the original film in the trilogy, Bobule

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Black Peter (Černý Petr) – Miloš Forman, 1964

Black Peter (1964) - Photo Gallery - IMDb

Recently, I’ve been reviewing films that dealt with more social and political issues, but this time around, I’m kind of glad to be reviewing a film that focuses on a much more easy-going subject: adolescence. Black Peter — the first feature-length film directed by one of the most celebrated filmmakers of Czech Cinema, Miloš Forman (Loves of a Blonde, The Firemen’s Ball) — focuses on the life of a young man named Petr (Ladislav Jakim) and his journey through adolescence.

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The film begins with Petr on his first day working at a supermarket. He is tasked to keep an eye on the customers and to make sure that they aren’t stealing any of the merchandise, but he is so oblivious to the concept of subtlety that he easily exposes himself. He then proceeds to follow a man he believes may have stolen some merchandise by walking right behind him. Unfortunately, he never really confronts him. This is an interesting way to convey just how young and inexperienced Petr is and how much he has yet to learn…

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