World War II has provided inspiration for movies for over 80 years now, with a seemingly inexhaustible supply of incredible tales. Sometimes I wonder, though, when I see a film as weak as Once Upon a Time in Paradise, whether the well is drying up and people are starting to run out of ideas.
That may seem unfair on the source material, Josef Urban’s novel and the true story that inspired it. It sounds like rousing stuff on paper – a talented rock climber hides from the Nazis in the wilderness, evading capture for years – and maybe that is where it should have stayed. It was a similar situation with the Laurent Binet’s page-turner HHhH – an intensely gripping read that spawned two insipid film versions. Maybe not every book needs a movie adaptation.
After a Saving Private Ryan-style bookend we meet Josef Smítka (Vavřinec Hradilek, an Olympic medal-winning canoeist in his first film role) hiking in the Tatras with his best friend Heinrich (Petr Smíd). They are on their way to tackle the Gerlach Peak, the highest mountain in the range. Along the way, they spot a beautiful young woman swimming naked in an alpine lake.
Buy your copy of Once Upon a Time in Paradise from Amazon HERE
The woman turns out to be Vlasta Brázdová (Vica Kerekes), a well-known writer and accomplished climber who is married to a much older man, the possessive painter Ota (Miroslav Etzler). Josef – or Joska to his friends – is instantly smitten. When the two friends run into trouble on the mountainside, it is Vlasta who abseils to rescue them…
Continue reading “Once Upon a Time in Paradise (Tenkrát v ráji) – Lordan Zafranović, Peter Pálka & Dan Krzywoň”
While many Christmas movies in English-speaking countries tend to focus around the festive season and sometimes feature a jolly chap with a white beard and red winter gear, Czech festive viewing often centres on fairy tales. There is a long tradition of TV and film adaptations, from The Proud Princess (Pyšná Princezna) to the classic Three Wishes for Cinderella (Tři oříšky pro Popelku).
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More recently, the popular father-and-son team of Zdeněk and Jan Svěrák got in on the action with Three Brothers, a cheerful fairy tale musical for kids that weaves together three very familiar tales…
Continue reading “Three Brothers (Tři bratři) – Jan Svěrák, 2014”
There is an old Les Dawson joke that goes like this: I said to the chemist, “Can I have some sleeping pills for my wife?” He said, “Why?” I said, “She keeps waking up.”
That is pretty much the attitude of the main character in Tiger Theory, Radek Bajgar’s dramedy about a sixty-something who finds an unconventional way of leaving his controlling wife.
Jan Berger (Jiří Bartoška) is a veterinarian. We first meet him as performs the snip on a tomcat, much to the gratitude of its female owner. It’s a none-too-subtle metaphor for the film’s central thesis, in that most of the male characters feel emasculated by their wives. The only guy who doesn’t has a problem with his sperm and possibly gets cheated on by his free-spirited wife, implying he’s not man enough to get the job done.
The film sets out its stall early, with Berger’s wife Olga (Eliška Balzerová) delivering a lecture to a group of students about the life expectancy of men. They drink more, smoke more and eat unhealthily, all of which affects their longevity. And it is the woman’s lot to keep control of their man’s worst impulses, she asserts.
For the men in Tiger Theory, this equates to endless nagging… Continue reading “Tiger Theory (Teorie Tygra) – Radek Bajgar, 2016”
Here’s an obscure piece of UK film folklore…
One Saturday night in the early ’80s, a man goes home early from the pub to watch the football highlights on Match of the Day. He settles down in front of the TV with a fresh beer, but the broadcast hasn’t started yet. He turns over to see what’s on the other two channels and drops into a strange film about identical twins, time travel and Nazis.
He becomes so engrossed that he watches to the end, missing the footie. On Monday morning he goes to work and tells his mates about this peculiar film, but no-one knows what he’s talking about. He doesn’t know the title because he missed the start, and trying to elaborate on the plot just makes him sound crazy…
Continue reading “Tomorrow I’ll Wake Up and Scald Myself with Tea (Zítra vstanu a opařím se čajem) – Jindřich Polák, 1977”
Sometimes when digging back through the decades to find “new” movies to review, a film will stand out as something so bright and marvellous that it feels like an antidote to our cynical times, with tentpole Hollywood blockbusters and cinematic universes dominating the box office.
One such film is Karel Zeman’s wondrous Invention for Destruction, a delightful flight of fancy that continually staggers the viewer with its imagination and sense of old school adventure…
Taking ideas from several of Jules Verne’s works but based primarily on his novel Facing the Flag, it’s the story of gentlemanly megalomaniac Count Artigas (Miloslav Holub) who rules the sea thanks to his steam-powered submarine and band of pirates. The lethal craft has enabled him to amass vast wealth, plundering treasure from old shipwrecks. When there’s not a shipwreck around to plunder, he can make one, using his sub to sink merchant’s vessels.
Buy Invention for Destruction from Amazon HERE
Now the Count wants to conquer the land and the air. To this end, he kidnaps Professor Roch (Arnošt Navrátil) and his dapper young assistant, Hart (Lubor Tokoš). The professor is working on futuristic technology, not unlike the atom bomb. While he intends the new tech for the benefit of mankind, Artigas wants to use it for a superweapon. He takes the captives to his secret lair in a dormant volcano to work on his fiendish plan, picking up a pretty survivor from a shipwreck, Jana (Jana Zatloukalová), along the way…
Continue reading “Invention for Destruction (Vynález zkázy) – Karel Zeman, 1958”