Surrealist and Avant-Garde films aren’t always the most popular choice for the average moviegoer. Until Leos Carax’s demented Holy Motors generated some outside-bet Oscar buzz a few years ago, I’d rather watch a compilation tape of hairy builders receiving a back, sack and crack before dabbling with the avant-garde.
My perspective has changed slightly since then, largely on the basis of Denis Lavant’s incredible (literally) balls-out multiple performances in that movie, and two of my favourite films of the past few years are of the avant-garde variety – Dziga Vertov’s hypnotic portrait of a city in Man with a Movie Camera, and Věra Chytilová’s playful yet provocative Daisies.
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A cornerstone of the Czech New Wave, Daisies tells of two young women, known as Marie I (Jitka Cerhová) and Marie II (Ivana Karbanová), who declare that they are broken and in that case, they might as well be bad…
Continue reading “Daisies (Sedmikrásky) – Věra Chytilová, 1966”