Anthropoid – Sean Ellis, 2016

Every now and then two films come out around the same time covering the same topic – Twilight and Let the Right One InDeep Impact and ArmageddonHitchcock and The Girl. A few years ago, there was a mesmerising, beautifully erotic examination of a couple involved in a kinky sub-dom relationship. It was called The Duke of Burgundy, and Jamie Dornan wasn’t in it. He was in the other one, Fifty Shades of something.

Then we had two films released within a few months of each other about the valiant Czechoslovak parachutists who assassinated Hitler’s third in command, Reinhard Heydrich. First out of the gate was Anthropoid, starring Dornan alongside Cillian Murphy, followed by HHhH, an adaptation of Laurent Binet’s well-received novel. Would Dornan be in the better movie of the two this time round?

I hate to say it without seeing both, but probably not. Any film on this subject is bound to be compared to Binet’s terrific book, which managed the tricky task of making a historic event genuinely suspenseful and exciting. The book had scope, compassion and a lightness of touch, and the chapters covering the assassination and the parachutist’s last stand in a Prague cathedral flew past so quick that I left burn marks on the pages. It’s a fantastic story that deserves a modern re-telling (although maybe not twice in the space of a year), and I dearly hoped that Anthropoid would do justice to the tale.

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