The Firemen’s Ball (Hoří, má panenko) – Miloš Forman, 1967

Miloš Forman’s last Czech film, The Firemen’s Ball, starts off as a lighthearted farce. By the time the film reaches its masterful third act, it has become a tragicomedy of tremendous allegorical power.

It can be seen in numerous ways. A literal reading got Forman in hot water with real fire crews up and down the land, who saw it as an attack on their honour and integrity, resulting in Forman touring the country to make amends. You could interpret it as an indictment of human foibles and corruptibility; a satire on corporate groupthink; or a stealth condemnation of the Communist system. The Czechoslovakian Communist party certainly saw it as the latter, resulting in the film being “banned forever”…

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