I was excited to see Já, Olga Hepnarová as part of a full house crowd on its first release. Often when I watch Czech movies at the cinema the audience is me, the projectionist and his dog, so it was pleasing to see people resisting the lure of the multiplex to support a film as resolutely un-popcorn as this. It’s a sombre arthouse character study of the last woman to be executed in Czechoslovakia.
We meet Hepnarová (Michalina Olszanska) recovering from a failed suicide attempt, and after a spell in a psychiatric hospital she shuns her comfy middle-class family to take work as a truck driver. Bitter and alienated, she lives in semi-squalor in the family’s summer cottage, drinking, smoking and seducing local women. As her mental health deteriorates, she imagines herself the victim of a bullying society and plots callous revenge.
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Up and coming Polish actress Olszanska puts in a fantastic performance as Hepnarová. She never asks for the audience’s sympathy and is immensely watchable despite her permanently glowering countenance.
Continue reading “I, Olga (Já, Olga Hepnarová) – Petr Kazda and Tomás Weinreb, 2016”