Jiří Menzel’s Closely Watched Trains (Ostře sledované vlaky) is probably one of the best known Czech films beyond the country’s borders, having won the Oscar for Best Foreign Language Film in 1968. Adapted from Bohumil Hrabal’s slender novel, it was also the first Czech movie I saw by a long way, years before the idea of even visiting the country crossed my mind, let alone immigrating here.
I was pretty underwhelmed on first viewing – it was when I was first getting heavily into film, after the treble-whammy of Pulp Fiction, Seven and Trainspotting first made me conscious that there was a director behind the camera making decisions resulting in the movie I saw up there on the big screen.
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I could handle the nonlinear structure of QT’s early efforts, but struggled a bit with the rhythm and pace of my first Czech movie – having been brought up on a diet of largely British and American films, usually with a distinct beginning, middle and end, Closely Watched Trains seemed a lot like all middle with a little bit of end.
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