Miroslav Krobot’s morosely funny Nowhere in Moravia is a downbeat portrayal of small lives, set in a tiny village where life takes forever.
The opening hours of the local hospoda marks the passing of time, and there are two main ways out – by bus and by coffin. Buses aren’t very frequent, so the villagers eat, drink and screw the days away until death finally comes along to relieve them of their boredom.
If you think that sounds pretty grim, then you’re right – it is.
Having said that, I laughed far more during Nowhere in Moravia than I do in most mainstream American comedies these days, and there is much joy to be had from the bric-a-brac of ordinary life tucked in the corners of cinematographer Jan Baset Střítežský’s gorgeous compositions.
Some of the more farcical elements could be straight from the pages of Hrabal, and a thread of small-town ennui traces back at least as far as Rozmarné léto (Capricious Summer), although the bittersweet fatalism of Menzel’s work curdles into outright pessimism in Krobot’s film debut.