Unlike where I come from in England, we tend to get long hot summers here in the Czech Republic. The good weather sets in towards the end of April and usually runs through until late September. It’s my ninth summer here now and each year, sometime around late August, when the nights are drawing in and there’s a breath of autumn on the breeze, I’m always struck by a bittersweet feeling. It’s a sense of longing and loss and melancholy, a sensation that has intensified as the years ticked down towards my 40th birthday. Somewhere inside I sigh and think, “Well, that’s another year over.” Followed by a nasty little whisper at the back of my mind, “How many good summers have you got left?”
That bittersweet feeling is captured so beautifully by Jiří Menzel’s Rozmarné Léto. I first saw it very early after we arrived to live in the Czech Republic, and initially I was quite dismissive of it. I hadn’t adjusted to the rhythm and pace of Czech films and to me it felt like a pilot for a sitcom, mainly because of its surface similarity to the long-running British comedy series, Last of the Summer Wine, which followed the shenanigans of three retired blokes in a small town in northern England.
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Rozmarné Léto is a perennial favourite in the Czech Republic. It is Menzel’s follow up to his Oscar-nominated Ostře Sledované Vlaky (Closely Watched Trains), adapted from the novel by Vladislav Vančura. It’s a gentle yet neatly observed bedroom face about three old friends whose comfortable boredom is disrupted when a travelling acrobat rolls into town, and each one’s trousers are set a-rustling by his beautiful young assistant.
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