Shot in wintry hues and set against a tumultuous backdrop of the expulsion of Germans from Czechoslovakia in the aftermath of World War II, František Vláčil’s Adelheid is a tragic drama about two shellshocked, fatally star-crossed lovers who find each other amid the psychic fallout from the conflict.
The story opens in 1945. The war may be over but it’s still a dangerous time, with lawlessness and banditry as the liberated country tries to find its feet again. Troubled Lieutenant Viktor Chotovick (Petr Čepek) arrives in a small town after spending the war moving from place to place, longing to return to his home country. He is treated with initial suspicion by Sergeant Hejna (Jan Vostrcil, a familiar face from Miloš Forman’s New Wave stuff, including Loves of a Blonde and The Firemen’s Ball). Turns out Viktor is in town with a job to do – he’s been assigned to catalogue and manage a large isolated mansion.
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The assignment suits Viktor because he’s just trying to get his head together after the war. The mansion was formerly the home of a wealthy Jewish family before it was commandeered by a local Nazi party member, Heidenmann, who has been captured and taken to Olomouc to await execution. What Viktor isn’t told is that the mansion comes with a cleaner and a cook – Heidenmann’s daughter, Adelheid (Emma Černá), who is sent by Hejna to serve Viktor…
Continue reading “Adelheid (1970) – František Vláčil”
It was a full house at Kino Art for a Friday night screening of Julius Ševčík’s Masaryk (aka A Prominent Patient), and it made uncomfortable viewing. I was about the last one in and had to sit on the front row, one English guy watching a film about how my country sold out Czechoslovakia with a room full of Czechs.
I grew up thinking that we were unconditionally the good guys. In history class, we learnt a little about the Munich Agreement, saw pictures of Neville Chamberlain waving his piece of paper and his infamous “Peace for our time” speech. Our teacher never really got into the human consequences of it – who cared about Czechoslovakia anyway? He just wanted to get to the fun stuff, and it was just a prologue before Winston Churchill sparked up a big cigar and guided us to our Finest Hour.
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History is written by the victors, and we were raised on our grandparent’s war stories. Although they all lost friends and family during the war, they always talked about it with pride and nostalgia. Pride in playing their own small part in defeating the Nazis, and nostalgia for the sense of identity and purpose it gave them.
Then I grew up a bit, and found out that we weren’t always the good guys. In fact, there were many occasions when we were the bad guys. That boggled my mind for a while because I’d always been unthinkingly proud of my country’s role in World War II and the world as a whole, and it didn’t occur to me that other countries might not like us very much. Then it dawned on me – perhaps there is a reason no-one votes for us in the Eurovision Song Contest…
Continue reading “A Prominent Patient (Masaryk) – Julius Ševčík, 2016”