Ghoul (2015) – Petr Jákl

Found Footage Horror "Ghoul"

This is the blurb on Netflix for Petr Jákl’s Ghoul:

“Three filmmakers investigating a story about cannibalism during a 1932 famine find themselves trapped in a haunted house after conducting a seance.”

Holy shit, I thought, this movie has it all… cannibalism! a haunted house! Seances! Directed by the action-packed former stuntman who gave us the hugely enjoyable Kajinek!

Unfortunately, despite its lurid premise, Ghoul doesn’t hit the spot quite as well. Jákl’s everything-including-the-kitchen-sink approach that worked so well in his wrongly accused hardman thriller works to the detriment of this by-the-numbers found-footage horror, bogging the movie down with evermore plot when we should be getting to the scares…

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Witchhammer (Kladivo na čarodějnice) – Otakar Vávra, 1970

An innocent burnt at the stake in Witchhammer

“A woman’s womb is the gateway to Hell,” whispers a rabidly fanatical monk at the beginning of Otakar Vávra’s Witchhammer (Kladivo na čarodějnice), while we cut away to watch a group of women bathing nude.

It’s a provocative opening and, although Vávra had the Communist show trials of the 1950s in mind while making the film, it sets out its stall early: the problem is the patriarchy, and sexual repression goes hand-in-hand with political repression, a theme that is as depressingly relevant fifty years later. Or 300-odd years on from the events of the film. Same as it ever was.

The film takes its title from the Malleus Maleficarum, a weighty 15th-century tome that details at length the procedures deemed necessary for dealing with witchcraft, including the methods of torture that were legally permissible for extracting confessions from the accused…

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