Forbidden Dreams (Smrt krásných srnců) – Karel Kachyna, 1987

 

 

 

 

 

 

 

Director Karel Kachyna (The Ear) gets his metaphors in early in Forbidden Dreams, otherwise known by its more evocative Czech title, Smrt krásných srnců (The Death of Beautiful Deer). Mr Popper (Karel Heřmánek), a Jewish vacuum cleaner salesman who can’t stop hopping into bed with his female customers, is out fishing in the countryside with his two eldest sons. Through his binoculars, he spots a herd of deer and he is struck by their beauty – but also spies danger threatening in the form of a hunting dog bearing down on the innocent creatures. 

The dog belongs to their grumpy uncle Karel (Rudolf Hrušínský), who loves getting his teeth into some freshly savaged venison. Mr Popper regards killing a deer as almost as bad as killing a human. Popper has no qualms about catching and eating fish, however, and his passion for carp is intertwined with his fortunes throughout the film.

The setting is pre-war Czechoslovakia, and Mr Popper is introduced as a resourceful chancer with a taste for the good life, although those tastes often run him into trouble. He is skint and the family is in debt to the butcher, grocer and the pub, but Popper thinks the latest Electrolux model he receives from Head Office in Prague will pretty much sell itself.

Buy your copy of Forbidden Dreams from Amazon HERE

Plying his trade in the villages, however, he finds that the locals aren’t too impressed with his new-fangled device. His luck changes when he rescues a drowning man with the help of the cable from one of his vacuum cleaners. The man turns out to be a rich benefactor, who buys a few units out of gratitude and throws a party so Popper can sell some more hoovers to his wealthy friends.

Suddenly flush, Popper starts splashing money around, treating the family and sending his sons for boxing lessons with a former champ. Life is good. Now bursting with confidence, Popper cooks up a variety of lucrative schemes to keep the cash rolling in.

Dark days lay ahead, though, as Czechoslovakia falls to the Nazis. Jewish salesmen aren’t in much demand in the protectorate and Popper suddenly finds himself out of work. He retreats to the countryside to sit out the war and live off his carp pond, but is soon driven to destitution by the new regime and must find ever-more risky ways to provide for his family…

Continue reading “Forbidden Dreams (Smrt krásných srnců) – Karel Kachyna, 1987”

The Snake Brothers (Kobry a užovky) – Jan Prušinovský, 2015

Right from the get-go, we know Petr “Cobra” Šťastný (Kryštof Hádek) is trouble. We open with a scrolling shot of summer cottages. It is a quiet day apart from birdsong and the distant sound of someone mowing grass. Against this peaceful backdrop, we see Cobra, strutting along with purple hair, a camo jacket and a pair of bolt cutters strapped to his back. We don’t know what his situation is yet but he’s wired, a bundle of nervous energy. He then proceeds to break into a cottage, steal all the electrical goods and make off with his loot, all under the nose of an elderly neighbour.

Cobra is one half of the Snake Brothers, two guys in their thirties trying to eke out a living in Nowheresville, CZ, in Jan Prušinovský’s impressive film follow up to Sunday League. The elder Šťastný sibling is Vojtěch (Matěj Hádek, Kryštof’s real-life big brother), known as “Viper” to his friends. He’s marginally more well-balanced, in that he is capable of getting a job and living a semi-normal existence. No matter how hard he tries to get a foothold, he is held back by his disreputable younger brother, who is always getting himself into trouble with the law.

The Snake Brothers form a trio with Tomáš (Jan Hájek), Viper’s best friend. He’s a dour, frustrated mechanic and abusive husband to the irresponsible Zůza (Lucie Žáčková), who has been hanging around on maternity pay for the past eight years while bringing up their two kids.

After Viper angrily quits his job at a factory, an old school friend, Ládík (David Máj), offers him an opportunity to become a franchisee for a German company importing cheap fashion wear. Viper sees it as a chance to better his life but doesn’t have the ready cash to make a go of it. Luckily his granny (Věra Kubánková) is happy to put her house up as collateral.

Ready for business, Viper rents a unit in a shopping centre and hires Zůza as a cashier while also trying to keep Cobra away from his customers. It turns out that Ládík is using the venture to import more than just budget brand shoes. Plus the combustible combination of Cobra, Zůza and Tomáš means that trouble is never far away…

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Tiger Theory (Teorie Tygra) – Radek Bajgar, 2016

Tiger Theory review

There is an old Les Dawson joke that goes like this: I said to the chemist, “Can I have some sleeping pills for my wife?” He said, “Why?” I said, “She keeps waking up.”

That is pretty much the attitude of the main character in Tiger Theory, Radek Bajgar’s dramedy about a sixty-something who finds an unconventional way of leaving his controlling wife.

Jan Berger (Jiří Bartoška) is a veterinarian. We first meet him as performs the snip on a tomcat, much to the gratitude of its female owner. It’s a none-too-subtle metaphor for the film’s central thesis, in that most of the male characters feel emasculated by their wives. The only guy who doesn’t has a problem with his sperm and possibly gets cheated on by his free-spirited wife, implying he’s not man enough to get the job done.

The film sets out its stall early, with Berger’s wife Olga (Eliška Balzerovádelivering a lecture to a group of students about the life expectancy of men. They drink more, smoke more and eat unhealthily, all of which affects their longevity. And it is the woman’s lot to keep control of their man’s worst impulses, she asserts.

For the men in Tiger Theory, this equates to endless nagging… Continue reading “Tiger Theory (Teorie Tygra) – Radek Bajgar, 2016”

Moments (Chvilky) – Beata Parkanová, 2018

Chvilky Moments

I originally wanted to open this review with a good quote about life, and there are thousands and thousands of them online, ranging from the sage advice of Gandhi to the witticisms of W.C. Fields. In fact, when you type “quotes” into Google, “about life” is its first suggestion. So that means that either – a) there are tons of people out there writing reviews about tender character studies like Beata Parkanová’s Moments or b) millions of people every day are searching for a little inspiration to help them make sense of this bewildering rollercoaster we call Life…

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Tomorrow I’ll Wake Up and Scald Myself with Tea (Zítra vstanu a opařím se čajem) – Jindřich Polák, 1977

Here’s an obscure piece of UK film folklore… 

One Saturday night in the early ’80s, a man goes home early from the pub to watch the football highlights on Match of the Day. He settles down in front of the TV with a fresh beer, but the broadcast hasn’t started yet. He turns over to see what’s on the other two channels and drops into a strange film about identical twins, time travel and Nazis.

He becomes so engrossed that he watches to the end, missing the footie. On Monday morning he goes to work and tells his mates about this peculiar film, but no-one knows what he’s talking about. He doesn’t know the title because he missed the start, and trying to elaborate on the plot just makes him sound crazy…

Continue reading “Tomorrow I’ll Wake Up and Scald Myself with Tea (Zítra vstanu a opařím se čajem) – Jindřich Polák, 1977”

On the Roof (Na střeše) – Jiří Mádl, 2019

Na střeše 2019

You can watch On the Roof (Na střeše) right HERE with our View on Demand partner Eyelet

There was a time when every pub and restaurant in Brno seemed to be competing for the title of the city’s best burger. Everyone I knew had an opinion on whose was top, and my own pick wasn’t too popular with pub-owner friends who prided themselves on their homemade patties. 

A new craze put paid to all that nonsense, and we partially have the country’s burgeoning Vietnamese community to thank for that – suddenly everyone was head-over-heels for Bún bò Nam Bô and Bánh mì sandwiches.

Vietnamese immigrants began settling in Czechoslovakia during the Communist era, arriving as guest workers invited by the government. Nowadays Vietnamese people make up the Czech Republic’s third-largest ethnic minority, after Slovaks and Ukrainians.

The first Czech film I’ve seen so far that touches upon the Vietnamese-Czech experience is Jiří Mádl’s On the Roof, a comedy-drama that focuses on the growing friendship between a lonely old man and a desperate young immigrant…

Alois Švehlík plays Antonín Rypar, a cantankerous retired professor living alone in his top floor apartment in Prague. He doesn’t have much time for people, and people aren’t too keen on him either – especially when they find out he was a communist during the soviet era. His wife left him a long time ago, taking their son with her, and he hasn’t heard from them in years – he’s isolated and regretful.

One day he pops up to the roof for a smoke and finds a distraught young Vietnamese guy, Song (Duy Anh Tran) getting ready to jump. Song has escaped from the marijuana farm where he was forced to work before it was raided by the police. Now homeless and on the run, Song is about to end it all. 

Antonín talks Song down and gives the hungry and frightened young man some food while treating him to his bigoted ideas. The old man is angry at the state of the world and thinks the answer to the country’s problems is to close the borders and prevent illegal immigrants from getting in, a view that will strike a topical nerve with audience members on both sides of the argument.

Despite this, Antonín begrudgingly enjoys Song’s company and offers him his spare room, in exchange for some free cleaning. He strikes upon the idea of finding Song a Czech bride so he can stay in the country legally, and the pair secretively turn their attention to the attractive young woman living across the hall…

On the Roof takes a bunch of modern social issues and lightly squeezes them into the shape of an odd-couple movie, which hits all the comedic and dramatic beats you’d expect. The pair are distrustful at first but soon start to benefit from each other – Antonín helps Song learn Czech, while Song teaches the old man how to use Facebook to woo their pretty neighbour. You see, friendship isn’t bound by age, race or language…

Then, just when I was about to write off On the Roof as an entertaining but formulaic movie, it pulled out a genuinely surprising and touching plot turn in the final act that left me grinning. I won’t give it away but if I was the type of reviewer to give star ratings, that one thing would be enough to upgrade this from a three-star movie to a four-star one.

On the Roof was originally intended as a vehicle for Jan Tříska (The Elementary School), who sadly died just before shooting began. Alois Svehlík stepped into the role of Antonín and he’s terrific. Irritable and defiant, Antonín is a man who knows his time is coming slowly to an end and isn’t happy about it all. While he’s a redoubtable character, his loneliness makes him strangely vulnerable and regret haunts his eyes. Svehlík plays him sternly without ever trying to make him seem like a loveable old gent.

Duy Anh Tran makes an interesting foil for Svehlík’s crotchety old-timer, giving an emotional, unguarded performance as Song. He’s scared and alone until his friendship with Antonín encourages him to slowly come out of his shell. 

The pair work off each other well and they manage to sell the film’s unlikelier elements, especially during the scenes when they’re trying to flirt with the neighbour without letting her know who’s doing the flirting. Together, the two actors make their character’s budding bromance worth rooting for – they are so good that I just wish they were in a better movie.

Don’t get me wrong, there’s nothing bad about On The Roof. In fact, it’s a perfectly enjoyable evening’s entertainment. It’s a decent watch, just be prepared to feel a little undernourished afterwards.

***

This article was first published by the Prague Daily Monitor.

If you enjoyed the review and now want to check out the movie, you can watch it HERE with our VOD partner Eyelet.

Tank Battalion (Tankový prapor) – Vít Olmer, 1991

Miroslav Donutil in Tankový Prapor

Vit Olmer’s bawdy comedy Tank Battalion (Tankový prapor) made history as the first privately produced Czech film after the Velvet Revolution. And what did they decide to make a movie about after four decades under an oppressive Communist regime? You’ve guessed it – a movie about life under an oppressive Communist regime…

Based on the semi-autobiographical novel by Josef Škvorecký, the film is set in 1953. We meet intelligent, demob-happy Staff Sergeant Danny Smiřický (Lukáš Vaculík) who has almost finished his two-year stint in compulsory military service. In between tank manoeuvres and covering his mate’s guard shift in the stockade, there’s little for him to do apart from smoking cigarettes, try to avoid flak from his perpetually enraged commanding officers, and dream about an unobtainable girl he once knew in Prague.

He’s almost made it to the end of his service, but now he risks trouble by getting into an affair with an officer’s lonely wife. Tensions are also growing between the conscripts and the officers, culminating in a dangerous drunken standoff…

Continue reading “Tank Battalion (Tankový prapor) – Vít Olmer, 1991”

Bathory: Countess of Blood – Juraj Jakubisko, 2008

Bathory bathing in virgin blood (allegedly)

According to the Guinness Book of World Records, the most prolific female murderer of all time was Elizabeth Báthory, a 16th-century Hungarian noblewoman. She is said to have murdered over 600 young women, practising vampirism and bathing in their blood to preserve her own youth and beauty.

Now I don’t know what the verification process is for the Guinness Book of records (it’s been a long time since my own unsuccessful attempt to build the world’s largest pyramid out of empty beer cans) but this seems like an iffy one to me. Many of the testimonies were based on hearsay from superstitious bumpkins or extracted from “witnesses” by torture. The exact kill count is thought to be greatly exaggerated.

Buy your copy of Bathory: Countess of Blood from Amazon HERE

Going to bat for poor old Elizabeth is veteran Slovak director Juraj Jakubisko with Bathory: Countess of Blood, an expensively mounted Czech, Slovak, Hungarian and British co-production. Setting out its stall as a revisionist historical epic, the movie veers wildly between horror, political intrigue and bodice-ripping romance, with some wacky comic touches thrown in for good measure – monks on clockwork rollerskates, for example.

In short, it’s a pretty kooky way to try clearing someone’s name, as Jakubisko attempts to rescue Báthory from the naughty step of history by spinning his own unreliable yarn…

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Voyage to the End of the Universe (Ikarie XB-1) – Jindřich Polák, 1963

Influential sci-fi Ikarie XB-1

Despite the turmoil currently on planet earth, things are looking more optimistic up in space. Only last week scientists announced that they have picked up potential signs of life on Venus and, depending on the sources, a manned mission to Mars could launch within the next 10-20 years. Ambitious initiatives like Breakthrough Starshot are looking even further afield, with a vision of sending a tiny unmanned probe to investigate exoplanets orbiting our next-door neighbour in the cosmos, Alpha Centauri.

Long-distance space travel raises many physical and mental challenges for potential crew members. How will we keep our bodies from wasting away without gravity for our muscles to fight against? How will our minds cope with the isolation and the knowledge that, for future colonists of distant planets, it may be a one-way ticket? Is there a decent curry house, and will they take visa?

Buy Ikarie XB-1 on Amazon here

Some of these questions are tackled in Jindřich Polák’s visionary sci-fi thriller, Ikarie XB-1. Based on The Magellanic Cloud by legendary science fiction author Stanisław Lem, it charts the adventures of the crew of a near-light speed ship, Ikarie XB-1, on its 28-month mission to Alpha Centauri…

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The Teacher (Učitelka) – Jan Hřebejk, 2016

How does an oppressive regime empower individuals who are willing to toe the line? It’s a question that director Jan Hřebejk and his regular screenwriter Petr Jarchovský (Cosy Dens, Divided We Fall) tackle with the efficiency of a 90s psycho thriller in The Teacher. The answers are chilling and, while the final shot may be a little glib, the film offers plenty of food for thought.

The story opens in 1983 in a classroom in Bratislava. Right away we can see that all is not well – the new teacher Ms. Drazdechová (Zuzana Mauréry) asks her students to introduce themselves. Fairly standard procedure, but she is more interested in what their parents do for a living…

Continue reading “The Teacher (Učitelka) – Jan Hřebejk, 2016”